Charles Dickens's "American Records" is probably his best nonfiction book


One of the joys of our new era of electronic books, if you like books as physical objects and texts, is that you can easily download from the Internet Archive and other digital libraries a PDF copy of a century ( I'm thinking of here for anything that could direct you more than $ 250 to a book trader in New York or London) and enjoy it almost as if you had physical copies in your hands – though , alas, without the smell of the skin or the feeling of the paper. But also, fortunately, without risk you will inadvertently damage an object that years have become fragile.

My favorite edition of Charles Dickens American Notes is the edition John W. Lovell printed in New York on Vesey Street in 1883. I read this version at a university library in the East Coast in the 1970's and , finally, in one of my desktops as a PDF, even though I've also downloaded the Gutenberg project edition (which you will find as the third item listed under "Dickens, Charles" in the Gutenberg catalog), and I sent it in my Kindle, so I can read it easier in my bed. Of course, Amazon has a publication of this and every other Dickens work that can be downloaded directly from Amazon's catalog, accessible from WiFi from your Kindle.

Dickens's reputation did not culminate in his life but simply continued to build until was considered a kind of God of Literature, a giant among writers. This reputation was well established in England and America in 1842 when he made his first trip to the United States (he would return a quarter of a century later in 1867). His beautiful, young wife Catherine, whom he had married six years ago, accompanied her. Catherine Thompson Hogarth Dickens was the sympathetic daughter of an influential editor in London, George Hogarth, a fact that did nothing to hurt her husband's literary career.

Dickens was only thirty when he and Catherine boarded the RMS on January 3, 1842, a 1,200-ton-long driveway, long 207 meters, bound for Boston and Halifax. Already beneath his strip of papers, Pickwick's letters Oliver Twist (which the new Queen Victoria burned candles late at night to read, so she was busy with this poverty story so close to the palace of her in London), and Barnaby Rudge Britain moved like a snail to our standards today – it can produce about 750 horsepower with its steam engine two-cylinder coal (around the production of two large American passenger cars), moving 115 passengers and 80 crew with a maximum speed of 8.5 knots across the Atlantic. At that rate it took 12 days to cross the ocean; Dickens was sick all the time. He swore that he would never travel again with the ocean and, indeed, returned to England months later sailing. Hi-tech was not his thing, at least when he came to the sea – he was always very fond of the railways. One of the motivations for his American journey, beyond his boundless curiosity for all American things (especially the slavery that he condemns in the last chapter of American Notes ) was his concern for US piracy his works. The United States was later a nation, like China today, that did not pay much respect for intellectual property rights. Dickens's films were widely pirated here, with no paid royalties for their author. Claire Tomalin's biography in Dickens 2011 tells us that the author spent four weeks in Manhattan to legitimize American editors and publishers in the value of international copyright conventions. Using his literary fame, he was able to persuade about two dozen of fifteen literary letters from Washington, including Washington Irving, to prepare a letter to Congress in support of such a move, though he had less success in obeying press to join it. In those days, writers who reached every level of fame were considered to have benefited greatly from their literary efforts. It was considered in poor taste, even to demand a great pay.

How many times I read American Notes I'm surprised at how Dickens's eternal voice is almost as if he was writing contemporary about Harper Atlantic Monthly or . This is so different from his novels, which have a 19th century sense of sentiment reflecting his love of the 18th-century Picasso style of British fiction, which he tried to re-invent in his era, a literary style that could take an American reader, devoted to one like me, a time to get back on. Not so with his non-fixed works (of which this is just an example – Dickens wrote and breathed, not as a work, but as a form of being alive. It is unlikely that one day passes without spending time on the covers colored colored.)

Take a look at this riveting description of a visit to Niagara Falls. Though there are some grammar and punctuation stories that give her authorship in the mid-19th century, it is surprising to me how fresh this writing is. These paragraphs are taken from chapter 14 of the Lovell edition: 19659002] "We called in the city of Erie at eight o'clock in the night and we stayed there an hour. By the weight of five to six next morning we arrived in Buffalo, where we ate breakfast and were very close Great Falls to wait patiently somewhere else, we set off on the train the same morning at Niagara Morning.

"It was a miserable day: cold and crude, a dropping haze and trees in that northern region quite naked and winter. Whenever the train stopped, I heard about the roar and I constantly tired my eyes in the direction I knew Falls should be, seeing the snow rolling toward them, every moment waiting to see the spray. Within a few minutes of our ban, not before, I saw two large white clouds rising slowly and magnificently from the depths of the earth. Thats all. Over time we sat down and then for the first time I heard the powerful rush of water and felt the earth trembling under my feet.

"The bank is very steep and slippery with rain and half-melted ice. I sat down but I was at the bottom and climbed, with two British officers crossing and joining me over some rugged rocks dazzled by the spray, and damp on the skin, were at the foot of the American Falls, I could see a large stream of water that ranges from the height of a high altitude but had no idea of ​​shape or state, or anything else that is unclear. "

Can anyone do this better in a modern travel guide? Charles Dickens was the best-known writer of his time and is perhaps the most famous British writer even today. His works have always been available in print editions, and now even in interpreting electronic copies, anyone can download it at no cost.

However, I think his non-fixed work, especially the American Notes of a former British colony that he admires and sees with a kind of critical love, have never attained the popularity of Oliver Twist , David Copperfield, Tiny Tim, or Ebenezer Scrooge (has anyone ever had that gift for naming his creations?). This is a shame because they are sincerely easier for modern readers to absorb, and this book in particular tints a fascinating view of the United States just on the brink of a civil war.

Today's readers will find American Notes accessible and legible in a way that will please them. I hope this book will reach another century of widespread success. And I thank the fact that anyone who has access to the Internet can read not only the electronic text of the book but can download a PDF copy of one of the early editions, a linked text that most of us will not choose to spend some hundreds of dollars to master, and enjoy the "feel" of typography and the organization of the printed page. It is a book that is so easy to be liked: Charles Dickens wrote the literature he deserves to be as admired as his novels.


 Basics of Intellectual Property Indemnification


Intellectual Property Indemnity – Generally

Indemnity clauses (sometimes referred to as "hold harmless clauses", "indemnity agreements" or "indemnity agreements") are common in agreements where one party desires to shift certain risks to another party. In intellectual property indemnification clauses, the risk is commonly associated with patent infringement, trademark infringement, copyright infringement, trade secrets, software issues, or some other intellectual property (IP) related risk. An indemnity clause may be limited to indemnification or it may also include the obligations to "defend" and / or "hold harmless" the other party. Intellectual property indemnity clauses are particularly dangerous for vendors because the costs to defend a typical IP claim could have exceeded the payments to the vendor under the agreement.

Intellectual Property Indemnity – Limits on Liability

Because the potential liability for indemnification obligations, especially for IP indemnity claims, may be so high, vendors will typically try to limit or cap their liability. One way this can be accomplished is to include a limitation of liability clause in the agreement and expressing applying that clause to cap or limit the indemnification clause. For example, if the agreement provides a $ 50,000 fee to the vendor to develop and deliver a software solution, the vendor may potentially be liable for significantly more if it is required to defend a third-party copyright infringement claim. However, if the limitation of the liability clause limits the vendor's total liability to payments actually received under the agreement and that limitation applies to the indemnification clause, then the vendor's liability is potentially capped at $ 50,000 even though the litigation of the claim could cost $ 100,000. Many purchasers with leases will demand unlimited or uncapped intellectual property indemnification. A potential compromise is for the buyer and vendor to agree that the indemnification liability will be capped at some of the vendor payments under the agreement.

IP Indemnity – Representations and Warranties

Intellectual property indemnification clauses often include representation and warranties provisions, which provide a trigger for indemnification obligations. For example, software purchasers / licensors often require a representation and warranty that the software deliverable is free from claims by third parties and further that no third-party materials or materials for which the developer do not have permission have been incorporated into the software deliverable. These provisions are intended to protect the purchaser / licensor in the event a third party subsequently makes a claim for copyright infringement or trade secret misappropriation. If this occurs, the buyer / licensor will likely attempt to force the developer to defend the claim and pay for any damages or settlements.



How to Choose a Comedy Standup Comedy


Have you thought of getting a stand-up comedy class? Stand-up comedy is more popular than ever and so are stand-up comedy classes. I learned very little from spending more than $ 1000 on stand-up comedy classes. I have read many books on this subject, conducted for over a year, and I had the privilege of talking with some comedy legend legends. I'm not here to cut people who offer comedy classes, nor tell you that everyone is equal in their value. I'm here to give you a great overview of stand-up comedy classes and what you can expect without spending money on something you do not want. Instead, I want you to be happy to learn this great form of art. I believe all the big comics were ridiculous to get started, but the direction to be made the best. The right class can help with that.

Can not I just learn from a book?

In other subjects I would understand where the coming, but not the comedy standup, in a performance art and you need your hands on learning. Writing a joke can be learned from a book, indeed, get a copy of the Step-by-Step comedy script by Gene Perret or Jerry Corley's Comedy Breaking Comedy ADR if you do not believe me. Comedy writing is indispensable for any real comedian, unless you pay a writer but is not the main reason you are getting a comedy standup class. Choosing to get a comedy standup class means you want to get involved in a performance art, want instant entertainment from the crowd laugh and you want to be the star. Things you can learn from a comedy (good) standup class: structure, scene label, and networking with other comics. Standart comedy is legal, but you have to do the job.

There is a Theory

Some comic forms such as Sitcom's writing and script writing have become almost in the same structure each time, stand-up comedy is not. The comedic comedy is experimental, fun and above all it's new (unless it's a comedian who jokes for decades). Before Steve Martin became a superstar, no one commented much like him. The comedy was a series of lines, and most of the comedians looked alike, because nothing separated them. Steve Martin was one of the first comedians to make anti-comedy, building a prediction of a score so much that forces the audience to laugh. There are many other examples of comedians who are doing this trend. To name a few are Andrew Dice Clay, George Carlin, Stephen Wright, Richard Pryor and Zach Galifinakis. You know and I both know these comedians get upped because they are durable and original. Not everything a comedy teacher tells you is a law. Teachers who have had little or no success will always tell you to follow their formula to produce the material. Remember # 1, This is all a theory even if it makes people laugh most of the time.

I love Steve Martin; he is one of my favorites of all time, and can not wait to meet one day. Be a Steve Martin, try new things, even if you fail, you will learn what works and what not.

Learn Proven Methods

Even if you want to be one of these original comedians, you should know what everyone uses to come up with the material right now. # 2 learning what works can actually work for you, or at least you know where to start. Many successful comedians are really just a combination of learned abilities, mixed in a unique way. Successful comedians took classes, some even became stars, but everyone knew what people were producing at the time they started. Learn everything you can, read comedy books, and start typing NOW. I do not care if it sucks, writing is a process, it makes you better as much as you write. Listen to every comic about his early days, they all have a common thing, their jokes sucked. Your joke will.


# 3 Comedy classes can be taught by anyone at all, so be careful. Many people, who have no idea what success is in comedy, are learning comedy classes. I do not know everything about comedy, but you do not pay me again. When a teacher expects you to pay him $ 350 for a class, he should have at least one authority on the subject. Here are some investigative things you need to do to determine the credentials of a comedy class teacher:

· See Teacher's Website

· Do you list credits to his / her name?

] · Is there a professional video of their readiness? Are they ridiculous? This is important. How can you learn to laugh in your own way, if not ridiculous. · No online video is not a good sign. Stay away from these teachers. Do they teach them in a well-known comedy club, such as Improvement or Gotham? This is a sign that they are at least moderately reputable. This is good.

· Search the Internet for comments about the teacher. Chances are if he is awful, someone got insanity about losing $ 350 that they wrote something bad and informative for you to read. * Ask some local comedians if they have taken the class. If they like it, chances are good that you will. It is important to ask some comics, teachers' friends will always say that he / she is good.

I learned a good comedy teacher in Dallas, TX named Dean Lewis through the word of mouth. This is a very powerful yet effective way of reviewing customers. I always believe the word of mouth instead of an on-line review, because the word of mouth is usually true.

If you are in Dallas, Dean Lewis is at He is a great choice to start your comic career and he has credit. The dean is funny, a great teacher and he is a very honest person, who counts more in my book. Take your comedy class today!

Superstars do not teach classes

Let's face Kevin Hart, Jerry Seinfeld and Louis C.K. will not teach comedy classes any time soon. # 4 Comedy teachers do not tend to have had a massive success in the standup comedy. Do not let this bother you, you can learn something from someone who has enjoyed at least one comedy success. I'm not saying this to shorten comedy teachers, I'm just declaring a fact. A good comedy teacher must have had some success, but if they were making a large sum of money out of comedy, they would not need to learn it. They may have won some races, make some guest appearances on a sitcom, or open for a national comedian. Somewhere in the middle of the open-mic comic and Louis C.K. is where he is a good teacher. Success in everything requires many factors working together to make massive success not only for the quality of the material. Many things can affect their success. Many ridiculous people did not become mega comedians, nor should they expect them to be, but expect some success to prove they know what they are doing. If someone has succeeded in any field of comedy, there is something to learn from him or her.

What You Can Expect To Learn


There are some basic things you will learn in a comedy class that I am not interested in discovering here, one of which is terminology.

Assassination = When More than 80% of the Crowd laughs more than 80% of the time

Death = When No Audience Is Laughing

Set = Your Time on the Stage

Bring = An Impression , or imitation of yourself or of another person.

Success = A logical transition between the two comedies. = Someone so foolish to interrupt a comedian with the microphone.

A "Bit" – Part of a comedy routine, usually is about a specific topic and in story form. Between the two bits is Segway.


There are usually two schools of thought when it comes to the formation of comedy material; we are currently referred to as "a little". One-liner based and Act-out based writing. I will clarify what I mean here by saying "based on a line." I'm not referring to lines in its traditional sense, or a line monologue. I'm referring to creating a line and designing a conversational narrative with a liner deliberately placed at the point to reinforce laughter. Active-based performances require action, and usually do not have a "joke" tone.

I'll give an example here from the comedians you know. Robin Williams, Kevin Hart and Joe Rogan are largely dependent on active opposition instead of "jokingly". On the other hand, Jerry Seinfeld, Daniel Tosh and Dave Atell have "jokes". None of these forms is bad, but you have to choose between them. Generally, stand-up comedy classes learn one way or another, not both. Remember one thing when you become one or the other, this does not mean that you will not do some of the other styles. If you write joke, it will occasionally be on your side to make some action outs. If you do mostly in opposition, it will be up to you to make some jokes now and then. I do not know any comedian who does not do any other style.

What to do is contact the comedy stand teacher before taking the classroom. Ask her if they teach an active-based comedy course or concentrate on shaking. Make your decision based on this.

They Are Not Always Right

If a teacher tells you not to use something you think is ridiculous, try to see if it works. Teachers may be wrong; in comedy especially. Another national comedian once told Larry Cable Guy that he should not have taken that character, that it was a bad idea. It was like 50 million dollars a year wrong. Make sure you listen and learn, but it's never set in the stone. A feeling of boweliness is usually right; do not be afraid to do it.

No You Are The Last Class

Before you get your first comedy class, you know it should not be the last one. If you decide to become a comedian and want to become good, you need to learn constantly. This is reading, taking classes, and learning whether your material works in front of an auditorium. If it does not work, change it, but continue production.

Start Writing Now

Choose the best grade you can, listen and learn. You can do something before this class starts. You should start writing now, do not expect to become a so-called professional to start writing. Your brain will be trained to come up with the material constantly, so you can do it better when you become a student in a classroom. You also need to treat it as a class, seriously. When you start writing, be sure to set a quote; otherwise, you will begin to skip. A quote may be in the form of time or amount of words or lines. Do not start with a very high quote, it is very discouraging. You can also use the method Jerry Seinfeld uses, "Do not break the chain." Take a calendar and place an X on each day you write, constantly do it so it creates a chain. Now do not ever ruin it.

Get on stage now

Get Google to open mics in your city. You may need to do some driving but get on the stage. You have to overcome the fear of making the comedy stand-up, so start now. It is not scary once you have done it several times. No matter what happens for the first time, continue to go. The first time usually will not go well, so get it out of the way. Start with one night per week and then expand as many times per week you can go.


Surf Up In Baskin-Robbins!


Sweeeeet! Baskin-Robbins the world's largest ice cream shop chain, is breaking in the summer with a selection of new and refreshing frozen treatments at the Animated Surprise Action-Surfing Comedy of Sony Pictures Animation, in the cinema on June 8, 2007. Baskin-Robbins is presenting seven frozen eye-catching fake treatments to make ice cream lovers prepared for the summer. Baskin-Robbins is also making a splash from the Pacific Ocean in the Atlantic Ocean with a mobile tour and instant waves winning game.

Baskin-Robbins is creating an excitement wave this summer with its fresh taste of Surf's Up, Penguin Swirl and Splish Splash (TM) tubes. Ice-lovers will go wild for the unique colors of flavors, as the black ice cream and blue-blooded hunters tongue the black blue penguin and the ocean within the first lick. In addition, consumers can relax with one of the Baskin-Robbins refreshing new Fruit Blast Smoothies, a combination of real and non-frozen yogurt fat, available in a variety of new and exotic fruit tastes like Berry Pomegranate pomegranates.

"Baskin-Robbins is turning to the roots of California to bring summer fun to its customers," said Scott Colwell, vice president of Baskin-Robbins marketing. "We are excited to start our mobile tour and help ice-cream enthusiasts to sweeten their day with our refreshing refreshing treatments."

Shijon Surf's Ice Cream Treats

This summer Baskin-Robbins invites dudes and dudets to dive in the summer with some unheard of cold icy treatments. Baskin-Robbins Surf Up ice cream and frozen treatments are available at nationwide participating stores right up until August 19, 2007, while the latest supplies. : A Mixed Black and White Berry Whirlpool : A refreshing blend of Blueberry Swirled Red Silk Sherbet. Real Fruit blended with frozen non-fat yogurt breaks a smooth and enjoyable aroma. True fruit mixed with ice, explodes a balmy and intense refreshing taste. A frozen penguin on a palm tree is a refreshing change in Baskin-Robbins a single spoon of ice cream in a sugar cone.

o Surf Up Sundae : Try the heat with a tropical treatment! Many Berry Strawberry, World Class® Chocolate and Nutty Ice Cream with Ice Cream Heads with pineapple and particle cleavage, top with cream, half banana and a Surf Up Chocolate.

o Surf Up Ice Cream Cake : A full-size cake turned into a beach scene, complete with Cody and Tank riding on the wave. Available in Baskin-Robbins, a new cream of Fudge Crunch, a layer of candy crunchies and chocolate between two layers of ice cream.

Baskin-Robbins is heading to cities across the country this summer with Surf's Up Tour. The mobile car, modified with colorful photos of Surfing Up characters Cody, Lani and Chicken Joe, will offer consumers the chance to enjoy the ice-cream of Baskin-Robbins, play the new Surf & 39; s Up from Ubisoft and get treatments and sweet deals. The mobile tour will hit the road on June 1, 2007, starting in Los Angeles and New York and stopping in 31 cities including San Diego, Sacramento, California, San Francisco, Baltimore, Washington, Chicago, Houston and Dallas. The East Coast tour will end in Dallas on July 16, 2007, and the western coast tour will end in Fresno, California on July 31, 2007.

Capture a Wave and Win

To create a more event great spraying this summer, Baskin-Robbins has created the Big Wave Instant Win game online. Competitors can visit or to see scenes from Surf Up and see if Cody Maverick successfully passes the wave. When Cody hangs ten, the winner wins! If Cody wipes out, customers receive a coupon for Fruit Blast Smoothies and may return again the next day for a chance to win. Customers can play every day until July 31, 2007 for a chance to win the Baskin-Robbins coupons and many exciting awards including: Two Inclusive Trips for Four in Jamaica

A Fourth Trip to Hilton Hawaiian Village in Honolulu [19659002] Baskin-Robbins Deals for One Year

Surf Up Video Games, DVD's and More! site offers even more Surfing inspired entertainment including Gnarly Name Generator, downloadable Surf Backup Wallpaper, screen saver, buddy icons, a mini Surf Up video version game from Ubisoft and more.

Baskin-Robbins has created more than 1,000 ice cream flavors over the last 61 years, much inspired by patterns, people, timely events and pop culture trends. Baskin-Robbins continues to be the leader in ice cream innovation by constantly introducing new ice cream flavors to the vast library of flavors. Baskin-Robbins, the world's largest ice cream shop chain, creates high quality innovative ice cream, frozen specialty desserts and drinks in more than 5,600 retail outlets across the globe. Baskin-Robbins was founded by two ice enthusiasts whose passion led to the creation of more than 1,000 ice cream flavors and a wide variety of delicious treats. Headquartered in Canton, Mass., Baskin-Robbins is part of the family of Dunkin & Brands, Inc. For further information, visit Surf Up (Surf Up) is an animated action-action comedy that delves behind the high-tech octane scenes of competitive surfing. Rockybird teenage movie film Cody Maverick (Shia LaBeouf), a upcoming and upcoming surfer, as he embarks on his first pro race. Following a camera crew to document his experiences, Cody leaves his home and family in Shiverpool, Antarctica, to travel to Pen Gu Island for Big Z Memorial Surf Off. Along the way, Cody meets Sheboygan surfer Chicken Joe (Jon Heder), a well-known promoter of Reggie Belafonte (James Woods), talent talent for Mikey Abromowitz (Mario Cantone) and Lani Aliikai (Zooey Deschanel), all who know Cody & # 39; s passion for surfing, even if it is sometimes wrong. Cody believes the winnings will bring him the admiration and respect he desires, but when he suddenly comes face to face with an old washed surfer (Jeff Bridges), Cody begins to find his way and finds that a winner true is not always the one coming to the beginning. About Columbia Pictures:

Columbia Pictures, part of the Columbia TriStar Motion Picture group, is a Sony Pictures Entertainment company. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America (SCA), a subsidiary of Sony Corporation based in Tokyo. Global SPE operations include film production and distribution; production and distribution of television; creation and dissemination of digital content; channel investments around the world; buying and distributing home entertainment; operation of study facilities; development of new entertainment products, services and technologies; and the distribution of entertainment filmed in 67 countries. Sony Pictures Entertainment can be found on the World Wide Web at

About Sony Pictures Animation:

Sony Pictures Animation was created in May 2002 to enable Sony Pictures Entertainment to impress the imagination of the creative community, develop characters and stories that are best achieved through digital production and bring fun to viewers of all ages on the screen . The first Open Season film was released in September 2006. Currently, Sony Pictures Animation is in production at Surf Up (due to the cinema on June 8, 2007) and the top of the meatballs ( spring 2009).

TM) & © 2007 Sony Pictures Animation, Inc. All Rights Reserved


North Dallas homes are ideal for luxurious living


The North Dallas area meets the need of any community. Quiet and peaceful neighborhoods of the area also have every kind of convenience within easy reach. Northwood Hills, Preston Woods, and Carrolton are some of the areas that are coveted as the ideal places to buy a property in the region. However, you will also find a number of other alternatives among North Dallas homes that are put up for sale.

Excellent educational facilities in and around Dallas North are another factor that helps attract young couples having children who go to school. The area also boasts many recreational facilities with which golf is the most popular sport in the region. Many private as well as public, dot dot golf clubs and prominent Dallas North homes that run on the freeway edge are perfect for sports enthusiasts.

Hiking, as well as biking trails are kept regularly and constitute a predominant feature of Trail Ridge Preston. The fine dish available in all residential areas as well as many Dallas and Dallas museums and theaters help to boost the region's entertainment quota as well. The rich cultural city along with a thriving economy has already become the first settlement choice for many people when discovering the joys of residence in North Dallas.

It is imperative to contact a real estate agent operating outside the local area to get the best out of thinking about getting one of the beautiful homes for sale.