How to Choose a Comedy Standup Comedy


Have you thought of getting a stand-up comedy class? Stand-up comedy is more popular than ever and so are stand-up comedy classes. I learned very little from spending more than $ 1000 on stand-up comedy classes. I have read many books on this subject, conducted for over a year, and I had the privilege of talking with some comedy legend legends. I'm not here to cut people who offer comedy classes, nor tell you that everyone is equal in their value. I'm here to give you a great overview of stand-up comedy classes and what you can expect without spending money on something you do not want. Instead, I want you to be happy to learn this great form of art. I believe all the big comics were ridiculous to get started, but the direction to be made the best. The right class can help with that.

Can not I just learn from a book?

In other subjects I would understand where the coming, but not the comedy standup, in a performance art and you need your hands on learning. Writing a joke can be learned from a book, indeed, get a copy of the Step-by-Step comedy script by Gene Perret or Jerry Corley's Comedy Breaking Comedy ADR if you do not believe me. Comedy writing is indispensable for any real comedian, unless you pay a writer but is not the main reason you are getting a comedy standup class. Choosing to get a comedy standup class means you want to get involved in a performance art, want instant entertainment from the crowd laugh and you want to be the star. Things you can learn from a comedy (good) standup class: structure, scene label, and networking with other comics. Standart comedy is legal, but you have to do the job.

There is a Theory

Some comic forms such as Sitcom's writing and script writing have become almost in the same structure each time, stand-up comedy is not. The comedic comedy is experimental, fun and above all it's new (unless it's a comedian who jokes for decades). Before Steve Martin became a superstar, no one commented much like him. The comedy was a series of lines, and most of the comedians looked alike, because nothing separated them. Steve Martin was one of the first comedians to make anti-comedy, building a prediction of a score so much that forces the audience to laugh. There are many other examples of comedians who are doing this trend. To name a few are Andrew Dice Clay, George Carlin, Stephen Wright, Richard Pryor and Zach Galifinakis. You know and I both know these comedians get upped because they are durable and original. Not everything a comedy teacher tells you is a law. Teachers who have had little or no success will always tell you to follow their formula to produce the material. Remember # 1, This is all a theory even if it makes people laugh most of the time.

I love Steve Martin; he is one of my favorites of all time, and can not wait to meet one day. Be a Steve Martin, try new things, even if you fail, you will learn what works and what not.

Learn Proven Methods

Even if you want to be one of these original comedians, you should know what everyone uses to come up with the material right now. # 2 learning what works can actually work for you, or at least you know where to start. Many successful comedians are really just a combination of learned abilities, mixed in a unique way. Successful comedians took classes, some even became stars, but everyone knew what people were producing at the time they started. Learn everything you can, read comedy books, and start typing NOW. I do not care if it sucks, writing is a process, it makes you better as much as you write. Listen to every comic about his early days, they all have a common thing, their jokes sucked. Your joke will.


# 3 Comedy classes can be taught by anyone at all, so be careful. Many people, who have no idea what success is in comedy, are learning comedy classes. I do not know everything about comedy, but you do not pay me again. When a teacher expects you to pay him $ 350 for a class, he should have at least one authority on the subject. Here are some investigative things you need to do to determine the credentials of a comedy class teacher:

· See Teacher's Website

· Do you list credits to his / her name?

] · Is there a professional video of their readiness? Are they ridiculous? This is important. How can you learn to laugh in your own way, if not ridiculous. · No online video is not a good sign. Stay away from these teachers. Do they teach them in a well-known comedy club, such as Improvement or Gotham? This is a sign that they are at least moderately reputable. This is good.

· Search the Internet for comments about the teacher. Chances are if he is awful, someone got insanity about losing $ 350 that they wrote something bad and informative for you to read. * Ask some local comedians if they have taken the class. If they like it, chances are good that you will. It is important to ask some comics, teachers' friends will always say that he / she is good.

I learned a good comedy teacher in Dallas, TX named Dean Lewis through the word of mouth. This is a very powerful yet effective way of reviewing customers. I always believe the word of mouth instead of an on-line review, because the word of mouth is usually true.

If you are in Dallas, Dean Lewis is at He is a great choice to start your comic career and he has credit. The dean is funny, a great teacher and he is a very honest person, who counts more in my book. Take your comedy class today!

Superstars do not teach classes

Let's face Kevin Hart, Jerry Seinfeld and Louis C.K. will not teach comedy classes any time soon. # 4 Comedy teachers do not tend to have had a massive success in the standup comedy. Do not let this bother you, you can learn something from someone who has enjoyed at least one comedy success. I'm not saying this to shorten comedy teachers, I'm just declaring a fact. A good comedy teacher must have had some success, but if they were making a large sum of money out of comedy, they would not need to learn it. They may have won some races, make some guest appearances on a sitcom, or open for a national comedian. Somewhere in the middle of the open-mic comic and Louis C.K. is where he is a good teacher. Success in everything requires many factors working together to make massive success not only for the quality of the material. Many things can affect their success. Many ridiculous people did not become mega comedians, nor should they expect them to be, but expect some success to prove they know what they are doing. If someone has succeeded in any field of comedy, there is something to learn from him or her.

What You Can Expect To Learn


There are some basic things you will learn in a comedy class that I am not interested in discovering here, one of which is terminology.

Assassination = When More than 80% of the Crowd laughs more than 80% of the time

Death = When No Audience Is Laughing

Set = Your Time on the Stage

Bring = An Impression , or imitation of yourself or of another person.

Success = A logical transition between the two comedies. = Someone so foolish to interrupt a comedian with the microphone.

A "Bit" – Part of a comedy routine, usually is about a specific topic and in story form. Between the two bits is Segway.


There are usually two schools of thought when it comes to the formation of comedy material; we are currently referred to as "a little". One-liner based and Act-out based writing. I will clarify what I mean here by saying "based on a line." I'm not referring to lines in its traditional sense, or a line monologue. I'm referring to creating a line and designing a conversational narrative with a liner deliberately placed at the point to reinforce laughter. Active-based performances require action, and usually do not have a "joke" tone.

I'll give an example here from the comedians you know. Robin Williams, Kevin Hart and Joe Rogan are largely dependent on active opposition instead of "jokingly". On the other hand, Jerry Seinfeld, Daniel Tosh and Dave Atell have "jokes". None of these forms is bad, but you have to choose between them. Generally, stand-up comedy classes learn one way or another, not both. Remember one thing when you become one or the other, this does not mean that you will not do some of the other styles. If you write joke, it will occasionally be on your side to make some action outs. If you do mostly in opposition, it will be up to you to make some jokes now and then. I do not know any comedian who does not do any other style.

What to do is contact the comedy stand teacher before taking the classroom. Ask her if they teach an active-based comedy course or concentrate on shaking. Make your decision based on this.

They Are Not Always Right

If a teacher tells you not to use something you think is ridiculous, try to see if it works. Teachers may be wrong; in comedy especially. Another national comedian once told Larry Cable Guy that he should not have taken that character, that it was a bad idea. It was like 50 million dollars a year wrong. Make sure you listen and learn, but it's never set in the stone. A feeling of boweliness is usually right; do not be afraid to do it.

No You Are The Last Class

Before you get your first comedy class, you know it should not be the last one. If you decide to become a comedian and want to become good, you need to learn constantly. This is reading, taking classes, and learning whether your material works in front of an auditorium. If it does not work, change it, but continue production.

Start Writing Now

Choose the best grade you can, listen and learn. You can do something before this class starts. You should start writing now, do not expect to become a so-called professional to start writing. Your brain will be trained to come up with the material constantly, so you can do it better when you become a student in a classroom. You also need to treat it as a class, seriously. When you start writing, be sure to set a quote; otherwise, you will begin to skip. A quote may be in the form of time or amount of words or lines. Do not start with a very high quote, it is very discouraging. You can also use the method Jerry Seinfeld uses, "Do not break the chain." Take a calendar and place an X on each day you write, constantly do it so it creates a chain. Now do not ever ruin it.

Get on stage now

Get Google to open mics in your city. You may need to do some driving but get on the stage. You have to overcome the fear of making the comedy stand-up, so start now. It is not scary once you have done it several times. No matter what happens for the first time, continue to go. The first time usually will not go well, so get it out of the way. Start with one night per week and then expand as many times per week you can go.